Use Of Nature In Asian American Painting Film Studies Essay

Use Of Nature In Asian American Painting Film Studies Essay Nature played an important role in the history of Chinese and Japanese art. Many factors influenced the use of nature in these art forms. During the northern Sung Dynasty, the Emperor officially announced nature as the only subject worthy of painting (ICS 5 Class Lecture Notes). All the paintings were done in the formal hanging scroll format. Artists used dark colors as the backbone of the paintings so it would make it easier to hang them. Artists did not use the reality of the nature but created abstraction of the reality in their paintings. During this period, all the scholar painters used to live a subsidized life. They would paint for the Emperor and obtain necessities from him in return. Because of this, they did not have to look for other means of making money. Hence they could concentrate on their paintings. All the scholar artists would go out, live in the nature, and depend on it to gain ideas for their paintings. I believe that this was also a significant reason why nature and landscape were used a lot in their paintings. A good example of this is Fan Kuans painting Travelers on a Mountain Path. We can see a clear rational view of the nature in this painting. It is called the clear rational picture because as an audience if you put your self in the painting you can actually find your way through. Confucius emphasized on people to use their rational mind (Catalyst Review Slides). Rationality in painting is where you can have a clear rational landscape. Frequently, artists would not show the whole view in their painting because they wanted the audience to use their imagination in order to figure out the rest. In this painting, Kuan is using a lot of brushstrokes to show the mountains, waterfall, trees and rivers. These brushstrokes were meticulous because artist would take years to finish this kind of painting. These paintings were done on silk, so the artists were not able to erase their mistakes. Therefore they had to think a lot and make sure that th ey do it right. Nature also played a big role in the religious beliefs of the Chinese. During the southern Sung Dynasty, Chinese believed in Taoist cosmology, which expresses Yin and Yang energy in the universe. Yin is for feminine and was represented by water and Yang is for masculine and was represented by mountains and they come to gather in the painting. Artists made the paintings, which were intuitive, suggestive, and rapid. Taoism and Chinese culture had a special meaning for mountains. In Mandarin, a word that translates to Landscape means mountains and water (Catalyst Lecture Notes). This is why I believe Chinese artists used mountains and different forms of water, such as rivers, waterfalls, streams, mist, and clouds, in their paintings to show the landscape. The landscape the artist would show would be very misty. You can notice this in Ma Yuans painting Bare Willows and Distant Mountains. Even during the Yuan Dynasty, nature was being used in the paintings because the scholar painter esta blished their residency in the mountains. They were in harmony with the nature, which I believe must have influenced their paintings. Japanese painters also used nature in their art, but they had their own style. They used the multiple panels of paintings with real 24k gold in the background. Hasegauas Initial stages of the Summer Siege is an important example of this. Winter Landscape by Sesshu is also a good example of the use of landscape by the Japanese artists. The painting is used to show how Zen Buddhist monks would connect to the universe via meditation. It is completely abstract. I also believe that the artist is making a strong statement about winter and coldness in this painting. He is using very thick, black, and sharp brushstrokes to match the weather. Japanese used woodblock prints in their art. It is different from painting. They used a special method to make these prints. Japanese artists used nature even in the woodblock prints. Hokusai is showing one of the 36 different views of Mount Fuji in his woodblock print Under The Wave Off Kanagawa Point. Hokusai tries to freeze the most dramatic movement in time, which you can see in this print when you see the frozen wave. In both Chinese and Japanese cultures, the inspiration of nature is remarkably apparent. I believe that in Asian art landscape painting shows the relationship between humans and nature. Asian artists used water and mountains in their paintings to show the harmony in nature. We could see nature in all of the Asian paintings. The use of nature was also carried over by the Asian American artists. The first Asian immigrants who migrated to United States often faced poverty in their homeland but came to United States with a hope of a better life (Catalyst Notes). The majority of them came to California. The Chinese were among the first Asians to come to United States. Among the Chinese emigrants there were talented artists who had the training in the classic Eastern art techniques. They had come with the curiosity about the Western art. These artists later enrolled in the western art training centers like the California School of Fine Arts. The Japanese arrived in the United States later. The Japanese also made significant artistic contributions to Californias art. When the Asian artists arrived to the United States they had to make some adjustments. They did not have a subsidized way of living in the United States. Instead, they had to find other means of making money to support their living. Chiura Obata i s one of the Japanese artists, who came to the United States in 1903 and settled in San Francisco. He was one of the lucky ones who had found a teaching job at U C Berkeley. I would like to use Chiura Obatas experiences, after coming to the United States, to show how the use of nature was transferred from Asian artists to Asian American artists. When Obata came to America, his paintings were done on silk and it contained landscapes. He used classic Japanese brush painting and combined it with western art. He did some water colors and ink sketches. He used his Japanese art to portray Californias landscape. In his painting Monterey Coast, we can see lots of brush stroke movements were used to show the waves. You could never see the use of shadow in Asian art, but Obata learned about the shadow in the paintings at the western artists exhibition. We can see him use his new technique of shadow in his painting Monterey Coast. He was also very fond of Yosemites nature. He did lots of paint ings about Yosemite. Obata was a master of Sumi-e art. The Sumi-e art is a style of ink brush painting. Obata also did his most famous work of woodblock prints woodblock prints, which was titled World Landscape Series-America. Obata was one of the Asian American artists, who used the original Asian art with landscapes and nature and added that to the American art. World War II had a major influence on Asian artists and their views about art. All the artists turned to their personal experiences and beliefs for inspiration instead of looking at nature. They still used nature in their paintings but it served as a visual diary of peoples daily life at the relocation center. In 1940s, during the World War II, Obata and his family along with other 100,000 Japanese Americans moved to the inlands from the west coast. He was sent to the relocation camp in Tanforan at first and than to Topaz, Utah. While he was in camp he made about hundred sketches and paintings. He started an art school in Topaz, which had about 600 students. His painting Silent Moonlight at Tanforan is a good example of the artists experiences at the relocation center. In this painting he is showing the horse stables where people had to live. I think in this painting he is also using the colors to show the emotions of the people. The Moon is shown very thin and covered with cloud. He is trying to express depression among the people. He also did some drawings and paintings of landscape and sky that gave sense of isolation, determination and alienation. During the time of WWII Japanese artists used their Asian art to show their experiences, which still contained nature. Due to internment, Japanese American artists had lost their livelihood and their occupations after their release and it was portrayed in lot of the artwork. The artists were completely transformed because of their internment experience. By the end of World War II, the Western world and California had fallen a part from all artistic traditions. Modern, abstract art got added to the Western world. Many of the California Asian artists did abstract painting. By this time the artists started using urban landscape instead of a land landscape. They would take all the ordinary things and turn them in to very special compositions. They did this even in the woodblock prints. Old Car by Wah Ming Chang is a good example of this. Asian artists started using watercolors in their paintings. You can see this in the San Francisco Chinatown by Yun Gee. He is using more bright colors like Western artist in this painting. He is trying to be revolutionary by experimenting very bright and intense colors. In early 1990s there was an increase in Asian American art activity, which brought national attention to Asian American art (Fresh Talk Daring Gazes, pg.22). A group of English speaking young Asian Americans had emerged. During the 1980s and 1990s the use of nature in art became less important. The young Asian American artists started designing their art to reflect and accommodate the migratory experiences of the Asian emigrants. As Elaine Kim states in her book Fresh Talk Daring Gazes, all the problems that Asian American society faces needed to come out for discussion. One of the good examples about this is artist Pacita Abads painting called I Thought The Streets were Lined with Gold. In this painting she has stuffed lot of pictures with sequences and other things. She is trying to show how Filipinos and Asian emigrants came to the United States with high hopes, but the actual experiences at their arrival were very different. They had to take up all the low paying jobs like childc are, day labor, nursing etc. In another art Framing An American Identity by Tommie Arai, the artist is showing the small passport size pictures to show their personal identity. Arai is trying to explore the identity of those people who have a different self-identity. There are other images in the background, which represents the real identity of those people. I believe that in this picture Arai is trying to show that identity is not fixed or original essence, but it is flowing and changeable to balance all the experiences and places lived. It is very true that people had to recreate their identity once they came to the United States. Artist Sung Ho Choi is using the theme of the American flag as a target in her art called American Pie. It is about American experiences of all the Asian emigrants with Government, job markets, and the segregation of people etc. She is using the Korean newspaper articles and each article represents the horror stories of the emigrants. The US flag repres ents the freedom. All of these images together represent the goals and the American dreams that all the immigrants had. We can see how the use of nature became less important over time and vanished out of the Asian American paintings. . They geared their artworks towards showing the life experiences of the emigrants and the struggles they had to go through when they came to the United States.

Gmf (Genetically Modified Food) Essay

â€Å"Genetically modified foods† is the term most commonly used to refer to crop plants created for human or ani mal consumption, which have been modified in the laboratory to enhance desired traits or improved nutritional content. The enhancement of desired traits has traditionally been undertaken through breeding, but conventional plant breeding methods can be very time consuming and are often not very accurate. Genetic engineering, on the other hand, can create plants with the exact desired trait very rapidly and with great accuracy. Development. GM foods were first put on the market in the early 1990s. Typically, genetically modified foods are plant products: soybean, corn, canola, and cotton seed oil, but animal products have been proposed. The first commercially grown genetically modified whole food crop was the tomato puree (called FlavrSavr), which was made more resistant to rotting by Californian company Calgene. Currently, th ere are a number of foods of which a genetically modified version exists. What plants are involved? Some foods have been modified to make them resistant to insects and viruses and more able to tolerate herbicides. Crops that have been modified for these purposes, with approval from the relevant authorities, in a number of countries, include: maize, soybean, oilseed rape (canola), chicory, squash, potato. Some of the advantages of GM foods: There is a need to produce inexpensive, safe and nutritious foods to help feed the world’s growing population. Genetic modification may provide: ï‚ · Better quality food. ï‚ · Higher nutritional yields. ï‚ · Inexpensive and nutritious food, like carrots with more antioxidants. ï‚ · Foods with a greater shelf life, like tomatoes that taste better and last longer. ï‚ · Food with medicinal benefits, such as edible vaccines – for example, bananas with bacterial or rotavirus antigens. ï‚ · Crops and produce that require less chemical application, such as herbicide resistant canola. Some of the disadvantages of GM foods: Food regulatory authorities require that GM foods receive individual pre-market safety assessments. Also, the principle of ‘substantial equivalence’ is used. This means that an existing food is compared with its genetically modified coun terpart to find any differences between the existing food and the new product. The assessment investigates: ï‚ · Toxicity (using similar methods to those used for conventional foods). ï‚ · Tendency to provoke any allergic reaction. ï‚ · Stability of the inserted gene. ï‚ · Whether there is any nutritional deficit or change in the GM food. ï‚ · Any other unintended effects of the gene insertion. Economic concerns: Bringing a GM food to market is a lengthy and costly process, and of course agri -biotech companies wish to ensure a profitable return on their investment. Many new plant genetic engineering technologies and GM plants have been patented, and patent infringement is a big concern of agribusiness. Yet consumer advocates are worried that patenting these new plant varieties will raise the price of seeds so high that small farmers and third world countries will not be able to afford seeds for GM crops, thus widening the gap between the wealthy and the poor. One way to combat possible patent infringement is to introduce a â€Å"suici de gene† into GM plants. These plants would be viable for only one growing season and would produce sterile seeds that do not germinate. Farmers would need to buy a fresh supply of seeds each year. However, this would be financially disastrous for farmers in third world countries who cannot afford to buy seed each year and traditionally set aside a portion of their harvest to plant in the next growing season. How are GM foods labeled? Labeling of GM foods and food products is also a contentious issue. On th e whole, agribusiness industries believe that labeling should be voluntary and influenced by the demands of the free market. If consumers show preference for labeled foods over non -labeled foods, then industry will have the incentive to regulate itself or risk alienating the customer. There are many questions that must be answered if labeling of GM foods becomes mandatory such as; are consumers willing to absorb the cost of such an initiative? If the food production industry is required to label GM foods, factories will need to construct two separate processing streams and monitor the production lines accordingly. Farmers must be able to keep GM crops and non -GM crops from mixing during planting, harvesting and shipping. It is almost assured that industry will pass along these additional costs to consumers in the form of higher prices. Food labels must be designed to clearly convey accurate information about the product in simple language that everyone can understand. Conclusion: Genetically-modified foods have the potential to solve many of the world’s hunger and malnutrition problems, and to help protect and preserve the environment by increasing yield and reducing reliance upon chemical pesticides and herbicides. However, we must proceed with caution to avoid causing unintended harm to human health and the environment as a result of our enthusiasm for this powerful technology.

Human Nature - 1379 Words

What is Natural Has to be Investigated Not in Beings That Are Depraved, But in Those That Are Good According to Nature T he obstacle of figuring out the nature and instinctual behavior of humans has been toppled by many philosophical writers. Jean-Jacques Rousseau and Niccolo Machiavelli, in the Discourse on the Origin of Inequality and The Prince, subsequently, talks about this subject. In the Discourse on the Origin of Inequality, Rousseau talks about the natural human state and is transition to its current civilized state. In The Prince, Machiavelli talks about the nature of humans already in a civilized state. Rousseau s and Machiavelli s ideas on the best state of humans contrast because Rousseau believes that the best state†¦show more content†¦Machiavelli that man s inclinations to achieving stability as civilized is best fit. This blatantly opposes Rousseau s beliefs. This is because first and foremost, Rousseau believes that the civilized man s state of nature is not best and will never lead man to happiness, but also because Machiavelli believes that man needs to be ruled because man is not able to lead himself. A ruler is needed to guide because he believes that humans are stupid, fickle, easily influenced, and easily will deceive. They need a steady and strong-headed ruler (a prince) then the society will survive well because they can mimic and obey their leader. He believes that the human attributes (stupid, fickle, easily influenced, and easily will deceive) comes from the humans lack of loyalty and mentality to do what ever is necessary to survive or best benefit him/her self. Unlike a savage man who will do what he needs to survive, yet has that limit of pity to stop before he harms his fellow man, a civilized man does not have the quality of pity. In showing the needed attributes of the ruler of the society in The Prince, he showed the attributes of humans. He did as such on the following, Therefore a wise lord cannot, nor ought he to, keep faith when such observance may be turned against him, andShow MoreRelatedHuman Nature Essay1099 Words   |  5 Pages Is there or is there not human nature? For Charles Darwin the answer is no. Darwin was the first to introduce the concept of evolution. He believed that humans evolved from the ape and not in the image of God. Darwin contradicted Aristotles view that man has a purpose in life -to reason. For Darwin, man has no purpose. According to Darwin, man began as one of a few species on this planet, fighting for survival. 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Bus Ad 502 Business Ethics And Environment - 2055 Words

COLORADO STATE UNIVERSITY-PUEBLO Hasan School of Business BUS AD 502 Business Ethics and Environment Fall 2016 Bhopal Disaster Case -Shamanta Palikhey Facts: (Facts need to provide more information. In this regard, you should better set-up the relationship between the parties: UCC, UCIL, the Indian government, etc. UCC needs to be mentioned in the first paragraph.) On December 2nd 1984, 40 tons of deadly Methyl Isocyanate (MIC) gas and other toxic gasses were released in to the atmosphere from Union Carbide India, Limited’s (UCIL) plant in Bhopal, India. Water meant for cleaning internal pipes was mixed with MIC, due to a faulty valve, which led to an exothermic reaction. The pressure and heat from this powerful reaction led to break down of a safety valve which then caused MIC gas to be released into the atmosphere. 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